Heads up, guys. Final episode of PARADE'S END [Episode 5] will have a strong sex scene according to the British ratings board. I have not read the book but it's likely the love scene is between Adelaide Clemens's Valentine Wannop and Benedict Cumberbatch character.Quite pissed off about British rating system. They grouped together sexual content and nudity which can be tad misleading. Non-sexual nudity is rather common these days so the good folks in charge need to separate sex and nudity categorically so perves like me can figure out which movie has nudity.
Anyway I sent an e-mail to IFCO.ie (Irish Film Classification Office) asking precisely about this (and aiming my question in relation to American Mary in killing two birds with one stone mode). They actually replied :* So the Canadian babe Katharine Isabelle is indeed nude during the rape scene. Again I'm cautious having been burned before with Isabelle. She always had the final say when it comes to the nudity even if she had agreed to it beforehand so body-double could be in use here.______________________________________________Eva Longoria bares all for sleep book
Eva Longoria has bared all for a quirky new photo book, which features shots of celebrities asleep at Hollywood’s Chateau Marmont hotel.
Snapper
Jork Weismann asked friends and Chateau regulars to recreate their sleeping attire and habits for his new book Asleep at the Chateau, and actress Longoria agreed to strip off for her sexy shot.
Taken as the former Desperate Housewives star sleeps with her back to the camera - a bed sheet pulled down to her thighs - the erotic shot exposes her buttocks and her back. The book also features sleeping shots of punk poet Patti Smith, who likes to fall asleep while reading James Joyce, and rapper RZA, clutching a marijuana joint in his hand.
* Eva getting bolder as the dreaded forty beckons...but she posed for Jork back in 2010!______________________________________________* It's getting warmer to first time nudity from Nadine Velazquez. As I mentioned before, actresses doing their first outright nude scene will talk about it during an interview junket for the particular flick days before it comes out. Or they will post pics of them in racy poses to give an inkling what was coming. More than ever I'm certain Nadine is the girl in the trailer with Denzel. The pic below was uploaded on to her twitter hours before the special screening of Flight. Like Nadine was trying to tell us something. I had my Columbo raincoat on for this mini investigation. Keeping my fingers crossed for Nadine tits to light up the screen and me not ending up sounding like an idiot (probably too late for that).
______________________________________________James Caan And Esai Morales Join Starz Drama ‘Magic City’ For Second Season
EXCLUSIVE:
Starz‘s Miami-set period drama
Magic City is beefing up the cast for Season 2 with major additions. I’ve learned that Sonny Corleone himself, veteran actor
James Caan, is joining the series in a major recurring role, along with
NYPD Blue alum
Esai Morales.
Set in 1959 Miami shortly after the Cuban Revolution,
Magic City tells the story of Ike Evans (Jeffrey Dean Morgan), the owner of Miami’s glitzy Miramar Playa hotel, who is forced to make a deal with local mob boss Ben Diamond (Danny Huston).
Caan will play Sy Berman, the head of the Chicago mob and Diamond’s boss. A father figure to Ben, Sy saw the potential in the young con and encouraged Ben’s criminal talents — creating “The Butcher.” Unbeknownst to Ben, Sy also has a secret connection to Ben’s wife Lily (Jessica Marais). Morales will play Carlos Ruiz, a former rebel who once fought beside Castro but now works to free Cuba from the man he once considered a brother.
Bringing in Caan to
Magic City is fitting as the series is said to be inspired by
The Godfather, which co-starred Caan in his signature, Oscar-nominated role as Sonny Corleone. On
Magic City, Caan will be reunited with follow
Godfather alum Alex Rocco, who recurs as Ike’s father Arthur.
For CAA-repped Caan, this represents the biggest series commitment since his starring role on NBC’s
Las Vegas. He will next be seen in
Blood Ties. Morales, repped by Innovative Artists and KLWGN, recently recurred on
Fairly Legal and
Caprica. Filming on Season 2 of
Magic City starts this week in Miami for a 2013 premiere. Returning are creator/executive producer Mitch Glazer and cast members Morgan, Olga Kurylenko, Huston, Kelly Lynch, Steven Strait, Christian Cooke, Marais, Yul Vazquez, Dominik Garcia-Lorido and Elena Satine. Glazer, Geyer Kosinski and Fred Berner executive produce.
* Jessica Marais must be praying like hard Caan's character is a close-relative and not another sleazy mob with a taste for kinky sex. Poor Aussie but for us more peeps at those freakishly unique tits. Morales character is certainly will be revolving around Dominik Garcia-Lorido's Mercedes but I don't see any romantic entanglement. She is now a flight attendant yet it's possible Mitch will rewrite her storyline to match the revolution going on in Cuba.______________________________________________BBC One Confirm Air Date For Hunted
The Melissa George starring spy series is set for October 4th.
The
BBC have confirmed that high octane spy thriller Hunted will air October 4th on BBC One at 9pm.
The series comes from X-Files writer/producer Frank Spotnitz and stars Melissa George in the lead role of Sam Hunter, an operative for the private intelligence agency, Byzantium.
After a mission in Tangier she is critically injured and suspects her colleagues, including her secret lover Aidan Marsh (Adam Rayner) of double-crossing her.
Infiltrating a family headed by the powerful criminal Jack Turner (Patrick Malahide), Sam must deal with the job in hand whilst also trying to uncover who betrayed her.
Hunted also stars Stephen Dillane (Game of Thrones), Adewale Akinnuoye-Agbaje (Lost) and Stephen Campbell Moore (Titanic) with S.J Clarkson (Dexter), Daniel Percivel (Strike Back) and Alrick Riley (Spooks) directing.
______________________________________________Meg Chambers Steedle on Her ‘Boardwalk Empire’ Debut, Nudity on Screen, and Kissing Steve Buscemi By Emmet Sullivan
It was only a few years ago that Meg Chambers Steedle was watching Steve Buscemi on the
Sopranos in her Northwestern University dorm room. Now the
"budding It girl" is starring next to the Emmy nominee every week on
Boardwalk Empire (Sundays on HBO). The scene-stealing Steedle, who spends just as much time in her dress as out of it on the show, plays Buscemi's new love interest, bubbly flapper Billie Kent. I met up with Steedle at Tommy Gun's Garage (
2114 S. Wabash Ave.) on Tuesday to talk about Billie, Boardwalk, and of course, Buscemi. (Full disclosure: Meg and I were classmates at Northwestern together. We think we ate at the same dining hall a few times)
OK, tell me. What's it like to make out with Steve Buscemi? People have asked me that, and this is what I say: It is amazing, when you go through the motions of making out with someone, that you can kind of develop a little crush on them. He's an attractive guy to me. It was awesome making out with him. I watched him on
Sopranos when I was in college, so it was just so cool. Also, that's the first way we met each other, just thrown into the intimacy. He made me feel so comfortable. If anything, that was one of the most comfortable scenes to do.
What drew you to Boardwalk? Funny enough, I had been doing a lot of regional theatre since school, and I loved theatre, but I was at this point in my life where I wanted to do more. I was in LA auditioning but also exploring grad schools for writing and directing. So when I got the call, I was like, all right, I'm flying back only because this is a show I've had my eye on for a while, I love period dramas, I love [series creator] Terence Winter. It takes place in the Jersey Shore, and I grew up going to the Jersey Shore every summer, so it felt close to my heart.
What about Billie? Actually when I was first given the script, her name was Ivy, and she was different. In my interpretation of that reading, she had a little more of an edge. And I went in there and did that and it was great. I felt like it went well, but I was told they were going to go in another way. And then I got a call two months later that they wanted to see me again, they had changed the role. She was now bubbly. I went in and had fun, and they said, OK, now we want you to sing and dance. And I thought, yes! Yes!
Did you put any thought into Billie's voice or mannerisms? No! I felt just some of the lines that she has, I guess I have…she's a spitfire. She's teasing. I really identified with a fiery woman who could really just say what she wanted.
What's been the weirdest part of all this for you? I think two things. One, when I first got cast, I was so excited, but also terrified. It's a great show, it's won awards, it's a well-oiled machine, and here I am coming in as someone who has one other credit, as a guest star, on one other TV show. I've been given this gift from the writers and team to play this incredible character that really represents a movement for women at the time. My first scene, when I knock back two drinks talking to Steve Buscemi and Kelly Macdonald, I just thought, here we go. I remember being so nervous, and I chugged my drinks a few times. It was just ginger ale, but still. It was just being so aware I'm a rookie at this, working with the best of the best.
So it was not being naked on screen.
That was my number two. They said, "Oh, there's nudity." Okaay. I told my mom, "I just want to warn you, there's nudity involved." And she said, "Oh, yeah, I know, it's HBO." So my parents go off to choir practice—I hadn't told my dad yet—and when they come home, I get them both on the phone. I told my dad, "As your daughter, it may be a little weird for you, there's nudity involved." And my mom chimes in and says, "Wait, you??" They had already made an announcement in the church that I was going to be on the show, not knowing that the first episode was going to have this "wham, bam, there I am" moment. What can you tell us happens in the rest of the season? (teasing in Billie's voice) Well, you'll have to watch and find out what happens! There's going to be some singing and dancing, which we haven't seen in past seasons, which is a credit to Terry Winter. In that time, it makes sense that showbiz people and gangsters would be mingling. A lot of previews for Broadway shows happened in Atlantic City, so it's a culture that definitely influenced whatever scandal that was going on there. I do know that, just in the way history goes, there's some Al Capone stuff that should be interesting. I don't know much about that storyline, to be honest, since we only get our own scripts, but just doing my research, this is a big time for Chicago.
Speaking of, what's it like being back in Chicago today? It's awesome. I woke up this morning to Lake Michigan. I used to live at 1835 Hinman (one of the dorms at Northwestern) and be able to see Lake Michigan every time I walked out my door. A lot of Billie, I was able to pull out a lot of my background from school with singing and dancing. Actually when we were talking about the character, we were throwing around the idea that she's kind of a Sally Bowles/Holly Golightly, and I got to play Sally Bowles at Northwestern. It feels like coming full circle.
* Someone needs to do a survey to find out the percentage and comparison of nudity between female artists from conservative and the liberal background. I think in terms of quality, willingness and receptiveness the conservatives win hands down. Michelle Williams is the benchmark but Meg, Ashley Hinshaw and soon Maggie Grace are the ones I can remember at the moment. There is lots of rightists in Hollywood but they kept it quiet in fear of being unofficially black-listed by left-leaning power players. They wait until becoming more successful and gain a stronghold in the industry before publicly coming out. At least they're far more honest than the Baldwins and other very loud Irish-Americans actors all for health care, raising taxes and bending over for Obama. You never trust those snakes. By the way Alec, you're more French than Irish so take it notch down a bit on your Irishness nonsense. We also don't want Stephen on our side. Take him back.______________________________________________FANTASTIC FEST ANNOUNCES FINAL WAVE OF FILM PROGRAMMING Including the world premiere of Marcus Dunstan's THE COLLECTION!
Et fin, we at last arrive at the final wave of programming for Fantastic Fest. This is a lineup filled with stunningly original, wildly fun, mind- and eyeball-melting fare. We are eight days away from Fantastic Fest 2012, and every announcement makes the wait harder to bear, doesn't it?
Read on for the final titles released at this year's Fantastic Fest, and read the First Wave
here, the Second Wave
here, the short film selections
here, the Fantastic Arcade game selections
here and the signature events schedule
here! Stay tuned for the full schedule, the announcement of attending guests AND the Fantastic Fest app, all released in the next couple of days!
Read on for the press release:
--
Austin, TX—Wednesday, September 12, 2012— Fantastic Fest is thrilled to announce the final installment of programming for Fantastic Fest 2012, including the world premiere screening of The Collection. Fantastic Fest will take place September 20-27 in Austin, Texas at the Alamo Drafthouse South Lamar.
When Elena’s (Emma Fitzpatrick) friends take her to a secret party at an undisclosed location, she never imagined she would become the latest victim of The Collector, a psychopathic killer. The Collector kidnaps and transports her to an abandoned hotel he’s transformed into his own private maze of torture and death. Upon learning of his daughter’s disappearance, Elena’s wealthy father (Christopher McDonald) hires a group of mercenaries to retrieve her from the vicious grips of The Collector. These mercenaries coerce Arkin (Josh Stewart), the only man to have escaped the wrath of this heinous monster, to lead them through the gruesome labyrinth. Now, Arkin finds himself fighting for his own life in order to save Elena. “The Collection,” directed by Marcus Dunstan and written by Dunstan and Patrick Melton, is a suspense horror film with nonstop thrills at every turn, starring Josh Stewart (The Dark Knight Rises), Emma Fitzpatrick (The Social Network), and Christopher McDonald (Requiem for a Dream). LD Entertainment will release
The Collection in theaters November 30, 2012.
For more information about
THE COLLECTION, please visit
the site, “like” the film
on Facebook at or follow
on Twitter, #TheCollection.
See below for the final wave of films at this year’s festival.
AMERICAN MARY (2011)US Premiere
Directors - Jen and Sylvia Soska, 95 minsDisillusioned with her chosen profession and perpetually broke, medical student Mary Mason finds herself drawn into a shady world of underground surgery and body modification.
ANTIVIRAL (2012)US Premiere
Director - Brandon Cronenberg, 110 minsSyd March makes people sick, infecting them with viruses harvested to order from celebrities, but gets more than he bargained for when his most famous source dies from a virus Syd has just infected himself with.
BERBERIAN SOUND STUDIO (2012)US Premiere
Director - Peter Strickland, 92 minsStrange things occur after a British audio technician is summoned to Italy to work on a gory giallo film.
BESTIES (2012)World Premiere
Director - Rebecca Perry Cutter, 91 minsBESTIES tells the story of two high school girls—an awkward freshman and a sexy senior—who become immersed in a manipulative and deadly friendship.
BLACK OUT (2012)World Premiere
Director – Arne Toonen, 73 minsA splitting headache, a dead gangster, twenty kilos of missing coke and 24 hours to sort it all out before getting married. Jos is about to have a very bad day.
BRING ME THE HEAD OF THE MACHINE GUN WOMAN (2012)World Premiere
Director - Ernesto Diaz Espinosa, 75 minsTimid, video game-loving DJ Santiago seemingly digs his own grave when he agrees to bring a violent criminal kingpin the head of Machine Gun Woman.
THE COLLECTION (2012)World Premiere with director/writer Marcus Dunstan, writer Patrick Melton and cast Josh Stewart and Emma Fitzpatrick in person
Director – Marcus Dunstan, 83 minsWhen Elena’s friends take her to a secret party at an undisclosed location, she never imagined she would become the latest victim of The Collector, a psychopathic killer.
COME OUT AND PLAY (2012)US Premiere
Director - Makinov, 95 minsWhile on vacation, Beth and Francis visit a remote island that turns out to be almost solely inhabited by children. Unfortunately for them, these kids are far from well behaved.
DANGER 5 (2012)World Premiere
Director - Dario Russo, 150 minsIt’s World War II and there’s nothing Hitler won’t do to take over the world! Dinosaur men! Love potions! Giant robots! And all that stands in his way are the intrepid forces of the DANGER 5!
DOM - A RUSSIAN FAMILY (2011)North American Premiere
Director - Oleg Pogodin, 109 minsA Russian mobster returns to his ancestral home for a family reunion after years of living in the criminal underworld. Unbeknownst to him, his ruthless enemies follow close behind.
EXORCIST IN THE 21ST CENTURY, THE (2012)World Premiere
Director – Fredrik Horn Akselsen, 80minNorwegian documentarian Fredrik Horn Akselsen examines the work of Father Jose Antonio Fortea – an actual, Vatican-approved exorcist – in this balanced look at a largely hidden world within the Catholic church.
THE FINAL MEMBER (2012)Regional Premiere
Directors - Jonah Bekhor and Zach Math, 75minsA mind-blowing documentary about three men who are deeply obsessed with penises—human or otherwise.
THE GREATEST MOVIE EVER ROLLED (2012)World Premiere
Director - Ryan Polito, 90 minsInspired by Morgan Spurlock’s Greatest Movie Ever Sold, two comedians, Doug Benson and Graham Elwood, decide to finance a movie about going on tour by going on tour.
HAIL (2012)Regional Premiere
Director - Amiel Courtin-Wilson, 104 minsReal life ex-con Daniel P. Jones stars in this haunting and unflinchingly realistic film crafted from over 500 pages of his own memories and experiences.
HELLFJORD (2012)World Premiere
Directors - Patrik Syversen, Kenneth Olaf Hjellum, Ole Giæver, Sebastian Dalén, Vegar Hoel and Roar Uthaug, 203 minsSeven of Norway’s finest directors team up for writer / producer Tommy Wirkola’s fusion of HOT FUZZ and TWIN PEAKS. A seven part TV series from the director of DEAD SNOW.
HISTORY OF FUTURE FOLK (2012)Regional Premiere
Directors - J. Anderson Mitchell and Jeremy Kipp Walker, 85 minsReal life bluegrass band Future Folk use a banjo and a guitar to save mankind in this sci-fi comedy origin story.
LEE’S ADVENTURE (2011)North American Premiere
Director - Frant Gwo, 91 minsWhen Li Xianje's beautiful girlfriend dies in a tragic accident, he attempts to harness his temporal dilation disorder in order to travel back in time and save her.
MIAMI CONNECTION (1987)Repertory screening
Directors - Y.K. Kim and Woo-sang Park, 120 minsThe legendary long-lost '80s thunder-rager! Martial arts rock band Dragon Sound throw down in the ultimate conflict against an army of cocaine-powered motorcycle ninjas. The BEST unseen movie in HISTORY!
PUSHER (2012)US Premiere
Director - Luis Prieto, 89 minsA small time drug dealer gets in way over his head when a big deal goes bad in Luis Prieto’s British remake of Nicolas Winding Refn's debut feature film.
TAI CHI 0 (2012)US Premiere
Director - Stephen Fung, 100 minsMartial arts meets steampunk in Hong Kong actor-director Stephen Fung's slick, stylish pop-art take on the life of Yang-lu Chan (played by new martial-arts sensation Yuan Xiaochao), founder of the Yang school of tai chi.
TAPED (2012)Regional Premiere
Director - Diederik van Rooijen, 80minA trip meant to save their marriage turns into a nightmare when Johan and Saar accidentally videotape a police shooting in the streets of Argentina.
TEBANA SANKICHI: SNOT ROCKETS (2012)World Premiere
Director - Yudai Yamaguchi, 79 minsTak Sakaguchi stars in Yudai Yamaguchi’s feature-length reboot of an original indie short film made in 1995. Follow the ridiculous adventures of sometime private detective and fighting master Tebana “Snot Rockets” Sankichi, and his loyal sidekick “Twice” Shiro. An episodic, nonsense comedy that flies like a rocket and lands like a wet loogie.
TWO RABBITS (DOIS COEHLOS) (2012)International Premiere
Director - Afonso Poyart, 108 minsEdgar returns to Brazil after two years in Miami, focused on enacting a complicated revenge plot and hoping to find absolution for his sins in the process.
VEGETARIAN CANNIBAL (2012)North American Premiere
Director - Branko Schmidt, 84 minsA corrupt gynecologist provides illegal abortions to prostitutes working for the Croatian mafia.
VULGARIA (2012)Regional Premiere
Director - Pang Ho-Cheung, 90 minsWhat do pubic hair, pop rocks, cow vaginas and sex with mules have in common? They are all part of moviemaking in Hong Kong.
WAKE IN FRIGHT (1971)Repertory screening
Director - Ted Kotcheff, 114minsA Palme D’Or nominee based on the 1961 book of the same name by Kenneth Cook and directed by FIRST BLOOD’s Ted Kotcheff, WAKE IN FRIGHT is an uncompromisingly brutal look at what happens when men are left alone together in the outback with guns and a lot of beer. This is going to be a mind-blower on the big screen. Get ready.
______________________________________________Kristen Stewart Uses A Few Too Many Double Entendres To Describe Her “On the Road” Director, Walter Salles
“He puts so much inside of you … Once we got on set, it was so about just breathing and letting it happen … So it was like, ‘OK, so I have to take my clothes off?’ It’s so not a big [deal].”
– Kristen Stewart on working with director Walter Salles for the film “On the Road.” In all fairness, these are two quotes that
The New York Daily News melded together — one from MTV News, and one from a Toronto Film Festival press junket. But yes, these words came out of K-Stew’s mouth. In light of recent events with another director who shall remain nameless, I
might have phrased this differently if I were her. Part of me thinks she was purposefully trying to be flip. Either way, I still plan to watch her give a topless,
double handy in “On the Road.” [
NY Daily News]
______________________________________________Hirsch: My steamy scene with CruzEmile Hirsch jumped at the chance to work with Penelope Cruz
Emile Hirsch has confessed that he rushed to accept a role in new film
Twice Born - after learning he'd have a saucy scene with Penelope Cruz.
Penelope plays a single mother returning to present-day Sarajevo where her son's father (Emile) died during the Bosnian conflict in the film, directed by Sergio Castellitto.
Into The Wild star Emile told Collider: "I started reading the script, I'm reading it and I'm going, 'This is really interesting, this is like a really meaty drama,' and then I get to the sex scenes and I'm like, 'Wow, this is Penelope Cruz. I'm doing this movie now, let me just finish the script'.
"She's one of the hottest women in the world so first and foremost as a dude I was like, 'Yes' and second as an actor and an artist, I was like of course, this is an amazing story and the chance to work with Penelope, she's a great actress and Sergio is a great director."
Reviews of the movie:
______________________________________________Irina Shayk reserves nudity only for Ronaldo 
LONDON: Catwalk stunner IRINA SHAYK strips down to her underwear in a sizzling new series of lingerie shots, reported British daily The Sun on Tuesday.
The Russian beauty stares seductively at the camera and pouts as she shows off her incredible figure in skimpy bras, knickers, stockings and suspenders.
The steamy snap are part of two new campaigns for underwear brands Lascana and La Clover.
And they're sure to win the 26-year-old even more male fans.
Sadly for Irina's legions of admirers she's been dating Portuguese footie ace Cristiano Ronaldo since 2010.
The couple met when they were both posing for fashion brand Armani Exchange.
And Irina insists Cris is the only man who'll get to see her naked.The lingerie lovely has been indundated with offers to strip totally nude - but she always turns them down.
She said: "I would never do Playboy. Yes, I am a lingerie model, but I have class. Playboy offered me so much money last year. I was like, ‘No way!’"Unlike many models, Irina refuses to starve herself to stay slim.
Instead she hits the gym and works out four to five times a week, and stays fit doing Pilates, boxing and calisthenics.
She said: "I never really diet. I think that a person can eat what she likes and do some exercises to be in shape - doesn't matter if it's going to be gym or swimming, walking in a park or Pilates."
"I personally love going to the gym! I love to work out, it’s a great start to a day."
She added: "I work out four or five times a week with my trainer not because I want to be skinny, but because it just makes me feel good to start my day with a workout.
"When I travel, I try to work out at least three times a week. It’s very important for me. After it, I feel full of energy."
"It’s very important to take care of your health. I work out a lot, love boxing and Pilates, but I also eat healthy food and drink a lot of water. But the most important thing is to be happy and to be in love with your body!"
There's no shortage of people in love with your body, Irina!
______________________________________________ Brittney Palmer 2013 Calendar Shoot BTS Brittney Palmer and Arianny Celeste are hands down the biggest and brightest stars in the UFC. They never get injured in idiotic motorcycle accidents. They never refuse to fight anyone, causing entire events to get canceled. They never abuse various forms of performance-enhancing drugs (PEDs) and get suspended for a year.
Fans can count on Palmer and Celeste.
In an effort to continue to be the gift that keeps on giving, Palmer, in particular, recently put together a 2013 calendar that presumably will be available at some point before 2013. She was also kind enough to film all her exploits while making that calendar.______________________________________________PSY - GANGNAM STYLE (Waveya Korean dance team)______________________________________________TORONTO 2012: Outro by Steve Dollar
There is a paucity of acronyms to properly gauge the impression made by
Ulrich Seidl's latest film. ZOMFGWTFBBQ seems, somehow, understated. Suffice it to say that there is no doubting
Paradise: Love is Seidl's: The first minute or so, which I will refrain from describing, is a startling, in-your-face eruption (of sheer joy, actually) that immediately calls to question the filmmaker's intention. What's he after? Here's a checklist, pick a couple: Politically incorrect provocation. Sensational shock value. Existential absurdity. A dare to watch the train wreck. An unflinching gaze deep into the human condition.
Seidl applies a certain anthropological rigor to his films that makes his transgressive perspectives something much different than similar tendencies in work by, say, the
Farrelly Brothers or
Todd Solondz.
Paradise: Love, the first installment in a trilogy about Austrians abroad, is about sex tourism. Margarethe Tiesel plays Teresa, a 50-something single mother of a bored teenage girl who has finally given in to a friend's insistence that she take a vacation at a Kenyan beach resort. It's a wonderland of post-colonial colonialism, with every bit of cringe-inducing racial frisson one might imagine and then some: A tour bus full of northern Europeans practicing their Swahili phrases—"Jambo!" "Hakuna matata"; the incessant smiles and servile persistence of the would-be studs who line the beach, just the other side of the rope from where the women sunbathe, their pale fleshy bodies in sharp contrast to the slender, limber young men who stand as patient as obelisks.
The narrative follows Teresa's transformation from a giggly newbie—encouraged by her uninhibited and insatiable best friend (Inge Maux)—who finds erotic renewal in her encounters with sweet-talking, dreadlocked Mungo (Peter Kazungu), into a jaded Jill, disheartened that it's all a hustle. Along the way, racial clichés are celebrated in exuberant and discomforting ways, as when a bartender's complexion is described to be "as shiny as bacon rind." But that gaze turns both ways, and what once seemed like a bit of giddy satire on cultural stereotypes (overweight, middle-aged sex tourists getting their groove back) turns into an intimate commentary on the ugliness of economic disparity. There's a parallel line, however, in Tiesel's performance, which often is fearlessly exposed. Photographed by the superstar team of
Ed Lachman and
Wolfgang Thaler, the film deploys the static tableaux that Seidl's likes to use as punctuation marks throughout the film. These seem to emphasize a detached, ironic perspective: all those fat asses in bikinis, for instance, could just equate a "People of Wal-Mart" meme gone Euro arthouse. But then what to make of a moment as elegant as Teresa's repose in the Kenyan love shack where she's shared an afternoon with Mungo, dozing as he arranges a transparent blue scrim around the bed? Seidl quotes Manet's Olympia, although the form is purely Rubenesque, displayed as an object of beauty.
______________________________________________ The Porn Stars' Rant These porn stars want to set the record straight. written by:
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http://tinyurl.com/brhkb64
check out more videos:
http://youtube.com/oojleoovery special thanks to brazzers:
http://twitter.com/brazzersStarring:April O'Neil:
http://twitter.com/undeuxNikki Benz:
http://twitter.com/NikkiBenzJynx Maze:
http://twitter.com/JynxMazeCutieBrandy Aniston:
http://twitter.com/BrandyAnistonAmy Brooke:
http://twitter.com/amybrookexxx______________________________________________The Crazy Secrets Of Internet Cam Girls 
If you think cam girls — those flirty naked characters that plague porn site pop-up ads — are raking in easy money, you’re right. If you think cam girls are bleakly stripping online out of desperation, you’re also right. Peel away the sex and pixels and money and you’re left with the cloudy truth about the internet’s relationship status with these on-demand entertainers: it’s complicated.
If you’ve looked at porn online (which we pretty much all have), you’ve likely been propositioned by advertisements for cam girl networks. They invade your peripheral vision; they pop up behind your window. The women wait for you to start staring, and, just when you’re interested, they hit you up for money. You’ve seen them sitting at their keyboards, wearing barely anything, winking at you, typing to nobody in particular with thin, lethargic arms: bored and conventionally beautiful. The ads, with flirty video that might be live or recorded years ago, shout at you with promises of “Live Sex Chat” and “Sex Shows,” with both amateurs and “pornstars” alike. It’s a web red light district, and unlike some gaudy Dutch strip or seedy sidewalk, you’re completely anonymous. The sex comes to you.
The basic premise of the cam girl game is a simple one: You pay a girl for her time, and in exchange, she’ll take off her clothes, talk to you, play with herself (and others), or any combination thereof. When your money is up, so’s your time — the two of you part ways until you’ve got the cash and willingness to go at it again. And when that time comes, you’ll have thousands upon thousands of girls ready to swivel and smile for you in real time. It’s a massive catalogue of preening women of every variety: big, skeletal, black, white, Asian, American, Greek, Czech, etc. To find them, look no further than the Big Three of cam girl delight: Streamate, LiveJasmine, and MyFreeCams. These three mega-networks advertise across the mainstream porn tube sites of masturbating ubiquity — PornHub, ClipHunter, etc. — but are shells and shadows themselves. So how do you get in?
Becoming A Cam GirlThe requirements are meager: a computer and Internet connection.
Odds are, you’re referred by a newspaper or website listing. Maybe a friend suggested you try it out. Maybe you’re shifting from traditional strip club work to the online equivalent — a popular trend in wealthier countries. Maybe you’re working in a brothel where web camming is just another expectation. Whatever the case, you’ll have to stream yourself through a web cam portal, one of the massive sites that catalogues thousands of models and acts as a go-between between customer and model.
Streamate sells its models through a variety of repackaged and re-skinned websites, like PornHubLive — using the site’s well-known brand as an easy in with porn consumers. In reality, it’s the same old site in new clothes. Streamate itself is hard to pin down. Trying to find who actually owns it is dizzying: The domain belongs to
Flying Crocodile Incorporated, which has a PO box in Seattle. Job openings point to a nebulous firm called
NaiadDev, also based in Seattle (and hosted by FlyingCroc). But the company’s custodian of records is one Rena Erotocritou, employed by “Ariel Secretaries Limited,” a ghost of a company based out of Cyprus.
The massive LiveJasmin would have you believe it’s owned by “Gestao e Investimentos, Lda,” a company based in an autonomous region of Portugal — and has a
host of fraud complaints lodged against one of its subsidiaries. But a recent
tax bust against LiveJasmin’s Hungarian CEO Gattyán György — one of the richest men in Hungary — and his corporation, Dolcer Holdings, shows just how muddled the corporate picture is. No doubt deliberately.
MyFreeCams, one of the most popular of the cam portals, has a domain registered to a Leo Radvinsky, and a legal contact in the Netherlands.
If you’ve got your own hardware, and connection, you can essentially be self-employed, putting aside the big chunk each site will take out of your earnings. It really doesn’t require much. Here’s the cam setup from one Romanian model I spoke with at length.
But if you don’t have this luxury — like a lot of girls across the world — you’ll likely work for a “studio.” That’s basically a euphemism for another person’s computer (probably a man), in front of which you’ll perform on a tight schedule. You’re still working through, say, MyFreeCams, but instead of only giving MFC a cut of your take, the studio owner takes a piece as well. Often a large one. If you don’t stick to your mandatory hours, you’ll be fired. You’ll also be potentially living with strangers in conditions beneath the grimiest motel.
It’s easy enough to read up on pointers from veterans.
A little research at mega-message boards like
Stripper Web is fruitful — you’ll pick up “Best Way to Recieve Money from Guys” muse in “Are you always beautious on cam?” And, of course, share war stories. One user started a thread spilling the most obnoxious, bigoted lines she’d recently been fed by “customers”:
“Are you clean?” (As in STDs)
“You’d make more money if you can ****.”
“Are you mix with white? You’re music is different.”
Sites do virtually nothing to curb or discourage this kind of treatment.
Entirely unsurprisingly, it’s impossible to get in touch with any of the people who actually run these networks. None of the above entities from LiveJasmin, Streamate, or MyFreeCams responded to efforts to confirm that they do indeed exist and have some affiliation with the websites in question. All that’s available is a semi-robotic technical support chat, which fields basic questions about how to use the site and credit card processing. These web cam kingpins might as well not exist. We don’t know where the money goes.
And as a cam girl, you won’t know where it’s coming from. You’ll get your split — typically around 35-percent, but sometimes upwards of 70 — siphoned to you via an innocuous credit card processing site like CCBill, while the site takes the rest of the cut. However you earn that cut is up to you. Some sites, like Streamate, allow actual sex to the point of orgy, while others limit your act to a solo show. You can do whatever you think will earn cash in the form of dollars-per-minute private shows or instant “tips.” That’s the formula. You’re up against tens of thousands of women (and men, to a lesser degree) offering the same product in varying versions. That’s a tough stab at making a living, even with your clothes on.
So who are these tireless women (or girls), these internet sex pioneers? Where do they live? Where did they come from? How did they wind up these poorly furnished, fluorescent-lit rooms in this oversaturated, low-res corner of the web? We wondered the same thing. So I talked to them.
Domino: Living the American DreamI don’t know her real name, and I don’t get the feeling she’s willing to tell. We just talk about stripping and streaming sex, her chosen field for the past couple years. There’s not much point in digging, anyway — Domino is, for my purposes, more a brand and personality than a fragile and finite person like you or me. But a thriving one. She describes herself as:
“Not your average female. I’m the fabled nerdy, intelligent woman who plays video games, loves all types of movies and music, books, and other women. I’m hyper, I have a dry, dark, sarcastic sense of humour, and I quote movies. A lot. Imagine Wednesday Addams, Daria, Liz Lemon, and Darlene Connor having an orgy. I’m the result.”
Domino might not be something so dramatic as that, but she’s certainly smart, replies to my questions without the slightest hesitation, and oozes the confidence of a professional from any field. She just pays her bills with a dildo now.
That wasn’t always the case. Before she started stripping — both online and off — Domino was a suit: working at a Fortune 500 company as a graphic designer. She quit the firm out of boredom in 2010, and now mainly flexes her aesthetic skills to push her online sex shows. Unlike most cam girls, Domino isn’t affiliated with a network like LiveJasmin. She’s completely independent, streaming strip and fetish sex shows from her home studio, straight from a website she built herself. Stripping at a local joint came first, but after breaking her wrist, Domino segued away from brick and mortar clubs. She’d heard there was good money to be made doing pretty much the same stuff online — and she could be her own boss.
Domino wakes up at 8 am every morning and performs booked shows for clients paying between $US90 and $US120 an hour. That’s about sixteen times her state minimum wage, and she doesn’t have to leave her bedroom. If a client wants to book through MyFreeCams rather than sending money directly, Domino charges double. There’s not a cent lost to a middle man. It seems like a pretty swell setup: “I love my job,” Domino gushes. “I can work when I want to, as much as I want to, [and] nobody can tell me how to do my job.” She’s right. At her strip club, she was required to come in four to five days a week, spinning on a pole. Now, she can work all day. Or not at all. The last time we spoke, she was working on an ebook project, spending her time as she pleased.
When the clothes do come off, it can be damn lucrative: Domino estimates she hauls in around $US300 on a good day — although a bad day is zero dollars, and hours wasted. But it’s enough for her to be completely self-sufficient, albeit weary of the whole thing sometimes. More concerning though are the handful of “true creeps” she runs into — the gents who aren’t just pervs, but sexual threats. That’s never OK, but the rest of the time, occasional criminals aside, the job sounds downright leisurely.
It also gives Domino a chance to indulge in her geeky professionalism: “I like being able to network with people who aren’t my strip club customers, [and] it’s a way for me to see how good I am at SEO and social media.” This is fun for her. Domino says she’s “always been a very sexual person,” so while camming is tiring, of course, on-camera kink isn’t onerous, if you can put the monotony aside.
Domino has it pretty good — an American with ample property and a cushy career based on sex she enjoys. Not everyone is Domino.
Anna: Former Indentured StripperI met Anna because she flatly offered to talk to me — clothed or unclothed — in exchange for money. She’s Romanian, a model from a region with a reputation for sordid conditions and rapacious studio owners. If there were a dark side to the industry, she’d at least be nestled closest to it. But when her camera first flipped on for me, I didn’t see the stained walls of a prostitute’s den. Instead: a bright, modern apartment inhabited by a bright, modern girl. In her pink underwear. Anna embodies almost every delightful stereotype an American brain can hold over a young girl from Romania. At 24, she’s clever — even cunning — sarcastically flirtatious in a way that makes you want to check your back pocket, and possesses stunning slavic beauty.
But despite fulfilling all my internet male expectations, Anna’s impossible to really pin down. On both IM and video chat, she’s prone to mannerisms and quips that make you want to pay for her time. A lot of it. She’s beautiful without surfeit, an honest form that’s pleasing even over a low-resolution video stream. Her English is fantastic, her personality disarming. She’ll sit casually, like a girl the morning after a sleepover, musing about her cats and future. When she first “performed” for me on camera, discarding her herd of cats and cigarette for a bottle of baby oil, a few alarmed neurons felt like I should rush to Bucharest and wrap a blanket around her. Her innocence is a cool switch. The tokens evaporated.
But there’s really nothing exotic about Anna. She’s occasionally lazy and often messy, spending most of her days, as far as I can tell, puttering around her Bucharest apartment in pajamas, playing with her cats, drinking enormous plastic bottles of soda, working on coding an iOS game, and taking occasional trips out to pick up fried chicken and buy new underwear. She claims to have almost no “real” friends off of the internet, but is consistently cheery, and enormously talkative. While video chatting, she always asks if I mind before she smokes. Anna complains about having to take time away from Diablo 3 for her cam sessions, where she chats with regulars, masturbates, mouths along to pop songs, and waits, waits, waits for someone to send her money. And when it comes, it comes. Anna’s a MyFreeCam loyalist, earning $US6 a minute via “tokens” — a clever way to obscure how much her customers actually spend. It’s a lot easier to fork over 900 tokens than thinking about the $US75 you just spent in minutes. This is Anna’s sole income, and what took her out of rural Romanian poverty and the whims of other men.
It took six years to reach this life of dilettantism and occasional sex work. Anna wasn’t always free. She started camming when she moved from her backwater Romanian hometown to attend college in Bucharest for a degree in psychology. When she relocated, she knew no one and had no money. But, like Domino, heard things about the lucrative streaming flesh trade — a recommendation from a male friend who convinced her to strip from his cramped 2-room apartment as he did the same in the other room.
Her friend, “gave [her] sex toys,” and she was on her way, waking at 6 am each morning in order to hit American-internet primetime. She hopped from studio to studio, at times living with her employers (and their unwanted advances), still far enough from self-sufficiency that she had to depend on them for support. One had a wife who insulted her constantly. She had to work, almost every day, on strict, long, tiring shifts, doing the same performances over, and over, and over again. She was an urbanite, but she was still a poor stripper in a small room. When one studio boss lost all of his money and had to move in with a friend, Anna had to go along, having lost her room, board, and virtually all of her possessions.
Her conditions at the next studio were bare at best, and at times the most personal privacy she had, while performing for strangers on live camera, were a few hanging sheets separating her from the others walking in and out of some rundown flat. Although she was the frequent victim of what would certainly qualify as flagrant, physical sexual harassment in any other business, Anna stuck through it, priding herself on her ability to talk a path out of a “bad situation” with male employers.
Others aren’t so lucky, she says, referring to her peers’ dips into coerced sex and assault. “Guys who are in charge of these business, they don’t respect the girls, because of this job. A girl who does this doesn’t deserve to have respect — that’s just the mentality.” But at the same time, Anna downplays the prevalence of studio abuse as “exceptions,” or even complete fabrications — ploys for sympathy and the money that might trickle with it.
This comes off as somewhere between cynicism and naive denial, but the fact that she knows of any girls at all who’ve raped and beaten suggests that it is, at the very least, a real occupational hazard.
If abuse were such a big problem, Anna says, then why would any Romanian girls bother with it at all? Why wouldn’t they just find some other job? In a country whose GDP only stopped shrinking two years ago, with 20-percent of the population living below the poverty line and personal income levels far below Kazakhstan, Iran, and Gabon, that question answers itself. There’s a reason Anna’s so happy to be independent from her former employers, a status she equates with nothing less than her “freedom.”
She’s got camming down to a science. “It’s all about saying to people they are sweet,” she smiles. All a man needs is attention, when he wants it, and he’ll be Anna’s until the tokens run dry. Regulars will sit in her room for hours, pouring money away — these are the lonely ones, Anna says. “They want to hear that they’re loved…that they’re sweet…that they’re kind…that’s how you keep them coming back.” It might sound mercenary, but these guys are getting exactly what they’re paying for. Only a man in the deepest bog of delusion truly believes the cam love is real — if you’re spending hundreds of dollars for a companion on your computer monitor, you have to be willing to suspend disbelief. Plenty are willing — particularly Americans, who for whatever reasons (Anna chalks it up to a sort of cultural shamelessness), are more “generous” than Europeans, and more likely to buy into the act — and pay for the privilege of watching something interactive.
There are still big ticket European customers these days, men who Anna is reluctant to call “addicted,” but “spend more time…you need to entertain those people who are going to stay for hours and hours in your room, even if they finished what they came for — they want to get to know you.” Either way, camming keeps Anna in comfy sweatpants and Fanta.
Mila: The Superstar
She started in the German porn game at 17, and moved on to cam modelling years later in Bangkok. Two years ago she was the number one rated model on MyFreeCams — meaning her link was at the very top of the site’s barren layout — bringing in around $US37,000 per month. These days, girls in those top slots can earn up to an insane $US75,000 per month. The competition is cutthroat. The MFC ratings battle is ruthless, as tips beget more tips: if you’re being paid well, you move up the totem pole, ensuring a snowball effect of even more attention and money.
At times, it’s hard to believe Mila even enjoys the work. I stopped by one of her more recent shows, and she sat, almost motionless, with her top unbuttoned, literally wincing. She seemed to be mumbling to herself, narrowing her eyes and ignoring her customers. Mila told the hundreds of slobbering men in her chatroom that they’d need to deposit thousands of tokens before she’d take her shirt off entirely. Money trickled in. She says the last three weeks have been “the slowest in 3 years…very bad.” Still, she’s a rich woman in an industry of destitution.
“With the Feds closing down and tightening the control on casino and poker sites, some of those [criminal] elements have found a new way of doing business: the Cam Industry. Let me make clear that this is in no way an MFC problem where I work. This is an industry-wide problem which will need to be addressed if this industry wants to survive.”
The Dark SideThe racket is money laundering:
“Cam sites are ideal for laundering. The studios are being used to have girls online accepting a financed hand that uses ‘dirty’ money to buy the private time. The studio gets paid for the private session, the girl gets her (very small) part and so the money comes back clean,” Mila says. As a result, “most Russian and Romanian studios are Mafia owned,” a claim she extends to the wider developing world. The picture becomes clearer when you remember how scattered and obfuscated these networks’ financial structures are — it’d be easier to confusingly launder money through a company that’s somehow simultaneously based in both Hungary and Portugal.
The Eastern Bloc countries that so many cam girls call home
are repeatedly mentioned in sex trafficking reports as both sources and conduits of illicit sex work — MyFreeCams has gone as far as banning all models from the Philippines, where conditions are said to be the most brutal.
The reasoning isn’t mentioned, but is easy to surmise. Moving the exploitation online, where girls are under “contract” to stay in a room for half a day at a time with dubious legal recourse, makes criminal sense. Unfortunately, not a single NGO I contacted that deals with issues of sex trafficking, abuse, prostitution, human rights, or anything that might’ve pertained to these weary faces had data or commentary on the cam industry.
(NakedSexAssasinDUO1on1, Philippines)As far as quality of life goes, Domino is the upper top tier — happy, healthy, not without worry but relatively unstrained. A bourgeois sex worker. But stroll through any large network like MyFreeCams or Streamate, and you’ll see how the other half lives. Poorly.
Stream after stream reveals someone on the other end of Domino’s spectrum, far from the web sex metropole. They almost follow a template: garish makeup, harsh lighting, dingy rooms, generic techno wafting through the air, and almost certainly some piece of cheap fabric serving as a make-do backdrop. Pure Soviet Bloc chintz. They’re almost always employed by cam “studios” — operations that vary in legitimacy wildly, from large, on the level companies to some dude’s back room. It’s a simple business, and a thriving one. Studios are pervasive throughout poorer countries, where a decent computer and broadband connection are harder to come by. The owners provide the facilities, and, in return, receive a hefty cut of a woman’s takings — sometimes more.
The look is undeniably that of a brothel or a close approximation, and the ambiance is decidedly bleak. And it’s decidedly Third World — there’s a critical mass of prized white, American models, but the rest of the catalogue spans the economic stale crusts of the globe: Russia, Colombia, West Africa, Thailand, Czech Republic, the Ukraine, Romania. For reasons that were never quite clear, Romania was a capital of pay-for-play sex shows across every major cam network.
Regardless of nationality, almost all of these women stare the vacant look, a disquieting blend of boredom and despair. You’ll see none of Domino’s eager, entrepreneurial zeal in their eyes — sometimes it seems like they forget they’re even on camera. Although silent, they sure don’t look like they want to be there. But some of them talk, online, anonymously, where it’s safe. On one message board,
SassyLisa shares her story from Bucharest:
Working in a studio as a webcam model its like keeping a wild beast into a cage…You have to work a number of hours,you don’t have legal working papers…sexual harassment(yes…it sucks!when your boss is calling you in the middle of the night asking you to have a quickie,otherwise you’ll take the consequences!
While hopping between these obviously studio-owned streams, I tried to get the women who are clearly down and out to talk about their work.
Most refused to discuss where they were, who they worked for, how they got there, or anything else. Some, with an alarmed expression, said they weren’t allowed to discuss their studio. Some just sat looking away blankly, with canned text responses typed by someone else — off camera — popping up intermittently. Take a spin through Cam World, and you’ll see women in catatonic states with a male partner — a “boyfriend” — for whom they clearly have no affection, but with whom they’re expected to have sex (and everything else) on demand. Their faces are pathetic and worn. They sit online in makeshift chambers for most of the day, in the same complex as who knows how many others just like them, serving as a sort of dragnet for internet chump change — every once in a while someone will pop into the room.
Half the time they’ll pop right back out. Otherwise, they’ll go to the usual line of lobotomised demands: “tits,” “show me dis,” “I wanna hav that,” to which the desperate model has to play along if she hopes to eke out a dollar or so. For them, the prospect of a $US13,000 tip is beyond comprehension — it’s doubtful they’ll make anywhere near that much in an entire year. If they do, it’ll likely be by pandering to the sordid whims of bullying customers — those who, as Anna laments, watch a show before calling you a whore. So if you’re just a single woman in the sea of Eastern European cam girls, rather than strip, perhaps you’ll just stay naked all day as a way of attracting attention — an option that’s allowed on MyFreeCams, but not on Streamate, where it’ll get you the boot. There, you’ll just dwell in a state of near-undress. Or flaunt the rules.
But then you notice everyone else is naked too. What’s left to do besides demean and disrobe?
(ForePLAYadik, Philippines)This is maybe the saddest truth for the struggling cam girl: that rock bottom isn’t a destination but an expectation. The majority who struggle will sit, naked and unnoticed, waiting for a chance to degrade themselves, while American women demand top dollar to even speak with you.
“This is the irony,” explains Anna. Going out of your way to lure and satisfy customers, the willingness to do any act, no matter how uncomfortable or degrading, gets you nowhere — because all of your Third World competition is doing the same thing. Everyone’s price is driven down. Exponentially less permissive American women can earn a living just by stripping down. “Girls who do less, they get paid more. People who are willing to do all sorts of stuff, they barely get paid,” Anna says. The desperate bodies of the Third World are locked in a state of mutual ruination, competing with each other to the point of almost entirely diminished returns. Whether by the force of subsistence, an overbearing studio boss — or, if Mila is right, the Russian — the women that populate our porn pop-up ads aren’t there to please us or have fun. They’re there because they have to be. And because our money’s there too.
And this naked dingy daily grind, occasionally lucrative or otherwise, might simply be the best thing they have going. When last I spoke to Anna, I asked if she saw herself still camming in five years — and if not, what it’d take to make her quit. She refused to answer without more money. For most cam girls, that might be the best answer there is.
______________________________________________ This is 23-years old Spanish fashion model Aris Gómez Olalla. She has worked for and with L’Oréal Paris España and Telva. Quite well-known in Madrid. She even has a Facebook fanpage.
------ Basic Info:Born September 8, 1989
Location 28660 Madrid, Spain
Gender Female Facebook www.facebook.com/beautyfashionelegantmodelMeasures 90 chest / 60 waist / 90 hips cm.
Sizes 38 trousers / s shirt / 40 shoes
Hair style Long and smooth
Experience at Catwalk photography, Fashion photography, Publicity photography,Cinema / Television, Stewardess.
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Other profiles [1] , [2], [3]
More pictorials here and here and here
Her favorite songs and another selection ---------
Interviews with Aris (use Google translator) [1] and [2] ---------
Aris competed in Miss Madrid early of 2012
Zuleica Veríssimo, a native of Alto Mira, on the island of Santo Antão, is in the lead in the voting, which will continue until 11:00 pm Spanish time today, February 29. The Cape Verdean currently has 376 votes, against the 260 obtained by her nearest competitor, Aris Olalla @ Aris Olaya.
Aris profile on the site:
I'm looking forward to living and above all morally and physically, exercising and taking care of me a lot. Always being myself. A greeting.
DAMA DE ZAMORA 2011
Aris Gómez Olalla---------
Aris Olalla on TV
Aris Olalla photoshoot
Aris Olalla Video Book
More here ------------
She was active on the mainstream scene as recent as of May before crossing over.........................to hardcore porn. She goes by the name of Penelope Crunch. 
The reason for joining the smut world? Her official line is that mainstream modeling is sleazy and she had to sleep with all kinds of assholes just to stay ahead of fellow models in the biz. So she decided to fuck it and enter porn where she can at least make money sucking off strangers. The truth is bit more grounded for her and many of fellow young Spaniards caught in dying economy heading straight sown into abyss. The dire situation of Spanish economy is forcing many unemployed top models (just like in Italy and Greece) to work as escorts and few like Aris thinks porn is a better option. The tats are dead giveaway if you don't think that's her. The whole Madridista is pretty nonchalant about it probably thinking at least she have a job and providing one too (okay...that's a cheap shot). Her Facebook under porn name
Already shot handful of scenes with Torbe the Spanish Pierre Woodman. She is a squirter, loves deep-throating and swallowing cum. The bukkake show is her most extreme perf. so far....
Very shy Penelope interviewed by Torbe sandwiched between two other girls. Infectious smile. Nearly 20-guys of varied ages and shapes : old and young, skinny and fatties. Hairy ones too. Penelope strips nude. B-cups and a bubble butt. Sucks off one of cuter guys (dude wearing sun-glasses). She chooses another young cute dude for double BJ. Other two girls are fluffers. Penelope gets fucked by sun-glasses in various positions before all the other guys queue up to be orally serviced by the model. Time for cum-show. And the boys didn't disapoint. All twenty (or more) of them blasted baby makers straight into Penelope open mouth. Did she swallow all of the white juice? She sure did like a proper fashion model. Despite gagging (often due to heavy semen deposits from hairy middle-aged dudes) at times, Penelope gulps them down including stringers smeared around her lower face. She even sucked cum clean off the cock if the boys were too stingy with their offering. For Penelope the cum-eating was closest thing to a feast for her in such a bad Spanish economy. She receives a thunderous applause at the end from appreciative but drained bukkake blasters. __________________________________________________
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